My Tafelmusik … with May Webster

In our ongoing series of featuring long-term supporters, “My Tafelmusik” invites donors to share their story in a Tafelmusik house program, and various digital platforms.

 Individual support is integral to Tafelmusik. It funds live concerts in Toronto and across the world, education programs for young people, innovative new multi-media and recording projects … in addition to bringing renowned guest artists to our stage.

By May Webster

Tafelmusik has been part of my musical life for many years. I sang in a church choir, and the music director, who was a subscriber, would tell us about what he had heard at the concerts. I was intrigued, especially by the concept of hearing music played as it was originally intended to be played. So I went to a concert, and became a subscriber myself, and then a member.

Tafelmusik has educated me. I have learned to appreciate choral music sung in original languages — from a choir whose words are so clear I could almost hear the words as if they were in English! I have learned from the pre-concert chats many details about the works I then would hear. Or about the composers and their world. I have learned from the Membership Academies about the baroque world itself, about baroque performance practices, and a little about how the baroque instruments differ from the modern ones. (And I am somewhat saddened that the Academies are no longer available to members at the lower ranges of contribution, although I appreciate that their popularity may have made this necessary.) I have learned to appreciate the works of composers I once thought obtuse or complicated — Bach, for instance, as against Haydn, Handel, or Mozart. So many thanks to all the musicians and other experts who have presented those lectures over the years.

I look forward to each new season, for what I shall hear and enjoy, from the Orchestra and from the Chamber Choir, and for what I might learn. I also look forward to sharing my Tafelmusik experiences with friends, and perhaps introducing them to music that I find life-enhancing.


Membership makes a difference! Membership donations allow Tafelmusik to continue inspiring the love of baroque and classical music. Give today!

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Get-to-know TBSI alum, Matt Antal

Our annual Tafelmusik Baroque Summer Institute is at the halfway point of an intense two weeks of rehearsals, lectures, masterclasses and more. We recently introduced you to TBSI alum and violinist Michelle Odorico. Today, we would like you to meet violist Matt Antal, who is not only a TBSI alum from 2013, 2014 and 2015, but is a current TBSI participant in the first ever Viola d’Amore workshop with Tafelmusik’s Thomas Georgi.

Matt Antal in the 2017 TBSI Viola d’Amore workshop. Photo credit: Lysiane Boulva

Matt first applied to attend TBSI in 2013 on a bit of a whim just before starting his Masters, and it opened up a whole new perspective towards learning for him. Today, both Michelle and Matt are enjoying successful careers as musicians, including performing with Tafelmusik, and we feel privileged to have been able to play a large part in forming those careers. Matt has written about his experiences at TBSI and TWI below.

Matt Antal, viola (far right), performing with Music Director Designate Elisa Citterio and Tafelmusik Baroque Orchestra in Handel Water Music, September 2016. Photo credit: Trevor Haldenby
Matt Antal

I first attended TBSI during the summer before starting my masters in modern viola performance. I had always enjoyed early music, but had never had the opportunity to play a period instrument before, so I really did not know what to expect. Upon arriving, I was immediately immersed into a world full of intelligent people who were friendly and enthusiastic about music — something that is all too rare in my experience.

There is no better feeling than playing music with people that love music just as much as you do. Every single day featured several “mind- blowing” moments, when something I believed to be true my whole life would be disproved, in the best possible way. These moments made me realize how much there is to know and sparked my own desire to discover new topics of my own.

I attended TBSI the following two summers and subsequently TWI the two winters after that, and always looked forward to it as my favourite time of the entire year. I enjoyed not only the music but working with such fantastic teachers and fellow students. So I decided to pursue a Doctor of Musical Arts in early music at the University of Toronto, studying with members of Tafelmusik while gigging around town playing baroque viola almost exclusively.

Join us as we continue to build “baroque for the future” with a charitable gift towards the Artist Training Fund. Your contribution today ensures that musicians like Matt and Michelle have the opportunity to develop into the musicians they are destined to be: well equipped to share their gifts with appreciative audiences everywhere. If you wish to make a charitable gift, please give here.


Matt Antal’s appearances with Tafelmusik

Handel Water Music, September 2016
The Baroque Diva, March 2017

Upcoming Tafelmusik appearances

Mozart’s Piano with Kristian Bezuidenhout, November 2017
Handel Messiah, December 2017

Get-to-Know TBSI alum Michelle Odorico

The sixteenth year of the Tafelmusik Baroque Summer Institute (TBSI) and the sixth year of the Tafelmusik Winter Institute (TWI) are upon us. TBSI and TWI are world-renowned training programs for advanced students, pre-professional, and professional musicians in instrumental and vocal baroque performance practice, led by some of the world’s finest musicians in the field. It is inspiring to look back at a very long list of musicians who have participated in the Institutes over the years. The learning and music-making has enriched the musical lives of students and faculty alike on a level we could barely imagine fifteen years ago.

A baroque dance lesson with TBSI participants led by Opera Atelier’s Co-Artistic Director Jeannette Lajeunesse Zingg, 2013. Credit: Mariana Dempster

There are so many stories to share about our alumni. We remember Alberto from Costa Rica, who worked so hard to bring several members of his ensemble to TBSI, taking back what they learned to a culture where opportunities to study baroque music are almost non-existent. Our Australian tours have inspired numerous young musicians to journey to Toronto to work with us at both TBSI and TWI in a cultural exchange that is energizing for all of us. Violist Elmarie came from South Africa in order to take what she learned back to her students, with the aim of creating a period ensemble there.

There are also many participants who have gone on to appear on the Tafelmusik stage, both singers and instrumentalists, including violinist Michelle Odorico. We would like to introduce you to Michelle who has recently done just that, and was compelled to take up a career as a period performer because of her experience at TBSI and TWI.

Michelle Odorico, violin

Growing up in Pickering, my aunt and uncle would occasionally take me to see Tafelmusik performances. I loved going to these concerts and I believe they gave me a strong attraction to baroque music growing up.

After completing my Bachelor of Music from the University of Ottawa in 2012, a friend and I attended TBSI, thinking it would be a fun thing to do. Little did I know that it would be an intensive university course, jam-packed into two weeks. I was overwhelmed with the depth and amount of information, but was completely hooked. What stood out was how the faculty fostered a safe, encouraging, and inspiring environment — their enthusiasm and patience eased the transition to learning a new style of playing. I loved meeting people from all over the world, and being surrounded by the unique playing styles of my peers and mentors.

I knew after TBSI that this was what I wanted to do, and thanks to Jeanne Lamon and Charlotte Nediger, I was able to begin a Master’s degree in baroque performance at the University of Toronto that fall. I returned to TBSI the following summer, and attended TWI from 2013–2016.

I believe that every musician should go to TBSI. Having this groundwork in place helps bring the music to life. I try to teach these principles of baroque playing to my own students, and I see how much they enjoy learning about them.

My ultimate goal as a musician is to be able to use the baroque violin as a way to communicate and connect to others. Because of TBSI and TWI, I have been able to do this much more than I ever could have anticipated.

Join us as we continue to build “baroque for the future” with a charitable gift towards the Artist Training Fund. Your contribution today ensures that musicians like Matt and Michelle have the opportunity to develop into the musicians they are destined to be: well equipped to share their gifts with appreciative audiences everywhere. If you wish to make a charitable gift, please give here.


Appearances with Tafelmusik

Purcell Dido & Aeneas, October 2016
Let Us All Sing!, November 2016
Asia Tour, November 2016
Toronto Education Concerts, January 2017
Visions and Voyages, February 2017
Ontario Tour, March 2017
U.S. Tour, Feb/Mar, 2017
Mozart Mass in C Minor, May 2017

Upcoming Tafelmusik appearances
Handel Alexander’s Feast, February 2018
Beethoven Pastoral Symphony, May 2018
Australia Tour, May/June 2018

Michelle Odorico (violin) with Tafelmusik Baroque Orchestra and  Chamber Choir in Let Us All Sing, November 2016. Credit: Trevor Haldenby

Tafelmusik travels downtown

Members of Tafelmusik headed downtown to perform at the Four Seasons Centre as part of the Free Concert Series at the Richard Bradshaw Amphitheatre. With harpsichord in tow the musicians and staff braved TTC shutdowns and the snowy arrival of March to perform at a packed venue for fans of all ages.

The final bow stroke!
Final bowstroke (and a hidden Charlotte Nediger behind Stefano)

The concert was a really interesting exploration of the connections between the countries of Europe in the baroque age, most notably composition teachers and their students. And of course our musicians performed it all brilliantly with their usual joy and zest.  There was even a chance afterwards for students in the audience to come up and learn about the instruments.

Inquisitive Students
Learning about baroque instruments with Felix Deak and Julia Wedman

Major props to our intrepid five musicians: Julia Wedman and Christopher Verrette on violin, Stefano Marcocchi on viola, Felix Deak on ‘cello (a last minute sub-in, so he gets extra props), and Charlotte Nediger on harpsichord (also extra props, for letting some of the children play Mary had a Little Lamb on the keyboard).

And Thank You’s must go out to the team at the Canadian Opera Company – they’re great fun to work with!

Tim Crouch, Marketing Manager